ERIC Identifier: ED434539
Publication Date: 1999-08-00
Author: Burt, Miriam
Source: National Clearinghouse for ESL Literacy Education Washington DC.
Using Videos with Adult English Language Learners. ERIC Digest.
Video can be used in a variety of instructional settings-in classrooms, in distance-learning sites where information is broadcast from a central point to learners who interact with a facilitator via video or computer, and in self-study situations. It can be used in teachers' professional development (see, for example, Savage & Howard, 1992) or with students as ways of presenting content, starting conversations, and providing illustration for concepts. Teachers or students can create their own videotapes as content for the class or as a means to assess learner performance (Taggart, 1996).
This digest focuses on using video
with adults learning English as a second language (ESL). It provides
a rationale for using video with these learners, presents guidelines
for selecting and using videos in instruction, discusses some
commercial videos used in adult ESL programs, and concludes with a
discussion of the future of video use in
Videos can be stimulating to adult learners. Many videos are based on stories, which are enjoyed by almost everyone and particularly favored in some cultures (Johnston, 1999). Videos that use the conventions of entertainment television (plot, character, development, and resolution) may catch the attention of learners who do not yet read.
Because many excellent videos are produced as entertainment for native English speakers, they generally present real language that is not simplified and is spoken at a normal speed with genuine accents. These videos include movies, television programs, and news broadcasts; they can provide a realistic view of American culture, and their compelling story lines can motivate learners to stretch their comprehension. Additionally, using authentic videos in the classroom can provide opportunities for learners to evaluate a medium that they use in their daily life (Stempleski, 1992). This is important because, just as learners need to develop critical literacy skills in order to analyze what they read to distinguish fact from fiction or to identify an author's position on a topic and compare it to their own (Florez, 1998), they also need to be able to do this with what they see and hear, i.e., with films and television programs.
Instructional videos for English language development have
been created for use in classrooms or in other educational settings
and have additional advantages. They are likely to already have been
evaluated for language, content, and length, and many instructional
videos are packaged as multimedia resources that include student
workbooks, teacher guides, video transcripts, and
audiotapes (Stempleski, 1992).
It takes time for the teacher to preview and select authentic videos and then to prepare activities for learners. As the language use and the context of authentic videos are not controlled, teachers will need to take time to explain these.
Copyright presents another challenge. Regulations governing the use of broadcast programs off-air concern how long the recording can be kept and how often it can be shown. Details can be obtained from "Circular 21: Reproductions of Copyrighted Works by Educators and Librarians" (Library of Congress, 1995).
videos may contain language, content, or themes that are
controversial, or even inappropriate in the adult ESL classroom. It
takes time, thought, and careful planning on the part of the teacher
to prepare learners to watch and discuss these videos. On the other
hand, selecting only G rated films or family programs may not be
advisable, as their content and language may be of little interest
and relevance to adult learners. Furthermore, if an authentic video
meets instructional objectives and is motivating to the learners, it
may serve as a springboard for discussing differing cultural norms
as well as the issue of censorship. These discussions can serve to
enhance learners' critical thinking skills while increasing their
acquisition of language and cultural information (Gareis,
* Inspiration/Motivation/Interest: Will the video appeal to my students? Will it make them want to learn? For example, a scene from "Joy Luck Club", a movie about conflicts between first- and second-generation Chinese American women, may be of limited interest to a class of construction workers from El Salvador.
* Content: Does the content match my instructional goals? Is it culturally appropriate for my learners? On the other hand, "My Family/Mi Familia", a film about an Hispanic family in East Los Angeles, may be of great interest to the class of construction workers as they live and raise families in the United States.
* Clarity of message: Is the instructional message clear to my students? Here the teacher is vital. Preparing the learners to understand what they are going to watch makes the difference between time wasted and time well spent.
* Pacing: Is the rate of the language or instruction too fast for my students? Many authentic videos move at a pace difficult for a nonnative speaker to follow. Even an instructional video may be too fast paced and dense for adults new to English.
* Graphics: What graphics are used to explain a concept? Do they clarify it? Do they appear on screen long enough to be understood by the learner? In some instructional videos, graphics, charts, and even language patterns may be on the screen too briefly to be fully comprehended.
* Length of sequence: Is the sequence to be shown short enough? With second language learners, segments that are less than five minutes are often sufficient. A two- to three-minute segment can easily furnish enough material for a one-hour lesson (Stempleski, 1992).
* Independence of sequence: Can this segment be understood without lengthy explanations of the plot, setting, and character motivation preceding and following it? Teachers need to decide whether it's worth investing the time and effort to prepare learners to understand the context of certain language and cultural nuances, or distinctions. For example, the context of a vignette from a television situation comedy such as "Friends", which explores the relationships among six white twenty-something New Yorkers, is much more complex than a scene from a film such as "Mississippi Masala", which explores an interracial relationship.
* Availability and quality of related materials: What print materials accompany the video? With videos designed to be used for English language instruction, the accompanying textbooks, resource books, and workbooks need to be examined carefully to see if they meet the instructional needs of the learners. With authentic videos, transcripts may be available. If a movie has been adapted from a short story or novel, the text can be read before or after viewing the video.
* Use of videos: How will I use the video? In
the classroom, a teacher can help students tackle video
presentations that are linguistically more complex and in which the
story line and characters are more ambiguous. Videos of this type
should probably be avoided when assigned for self study (Thomas, et
"Before presenting the video", the teacher must engage the learners' interest in what they will be doing and prepare them to do it successfully. The teacher tells the students or leads them to discover for themselves why they are viewing the video (e.g., to understand work expectations in the United States, to learn ways of meeting and greeting people, to learn ways that parents can help their children at school). Preparation may include a pre-viewing reading activity or a discussion of new vocabulary from the video. It may involve looking at still pictures from the video and predicting language and content to be covered. Finally, pre-viewing preparation means ensuring that an operating VCR and monitor is available and that the screen is large enough for all students to easily view the film. Fazey recommends using a 20-inch screen for a class of 12 to 15 learners.
"While learners view the video", the teacher should remain in the classroom with the learners to observe their reactions and see what they do not understand, what they are intrigued by, and what bothers them. The teacher is there also to press the pause, rewind, and play buttons as needed. Sometimes it is best to leave the lights on. This facilitates the teacher's observations and enables learners to take notes and to complete worksheets prepared by the teacher. For example, in viewing a vignette from "Joy Luck Club", learners may be directed to note down the words that the young European-American man uses to compliment the dinner prepared by his Chinese-American girlfriend's mother.
"After the viewing",
the teacher should review and clarify complex points, encourage
discussion, and explain and assign follow-up activities whether they
are included in the student texts and materials that accompany the
instructional videos or they are developed for authentic videos. For
example, the workbook for the instructional video "A Day in the Life
of the Gonz*lez Family" (Delta Systems Co., Inc., 1998) includes
post-viewing activities that direct learners to discuss in small
groups the language and cultural concepts presented in the video,
work on grammar or vocabulary activities taken from the language and
structures used in the video, and then do a consensus-building and
problem-solving activity and complete a project that takes them to
the larger community. Similarly, after watching an authentic video
such as "El Norte"-a film that chronicles the odyssey of two Central
Americans who flee persecution in their native Guatemala to
immigrate to the United States-learners might develop projects where
they interview recent immigrants in their neighborhoods and report
on their experiences coming to the United States.
These videos may be used in library programs, community-based programs, or workplace programs where learners meet with an instructor weekly or monthly, but most of the learning is through self study ("@Work", 1999). The following videos are marketed for use with adult English language learners in classroom, distance learning, or self-study settings.
This series was funded by the U.S. Department of Education and several states, and broadcast on public TV in 1997 and 1998. It tells the story of an ethnically, culturally, and linguistically diverse group of individuals who work at and patronize a caf. They face challenges common to many immigrants (and to some non-immigrants as well). Two instructional segments are included in each episode; one is on culture, the other on language patterns.
The multimedia package that accompanies the videos includes workbooks and photostories for learners and transcripts and resource books for teachers. Assessment packages containing video and audiotapes and blackline masters can be used to measure student progress in reading, writing, listening, speaking, language structures, and critical thinking. In addition, there is a partner guide with activities for native speaker friends, relatives, or tutors to use in working with the English language learners outside the classroom.
The video series can be purchased from INTELECOM at http://www.Intelecom.org/cafe/html/ or 626 796 7300, or by e-mail at firstname.lastname@example.org/. The print materials are distributed by Heinle & Heinle at 800 760 7400 or at www.heinle.com. For more information on this series, see the evaluation of the implementation of the "Crossroads Caf" in the state of Florida (McLean, 1997).
"On Common Ground"
This series on U.S. history and government was produced by INTELECOM with funding from the Immigration and Naturalization Service and was broadcast on public television in winter/spring of 1999. Like "Crossroads Caf", it uses a story line. Segments on such issues as freedom of speech, due process of law, economic rights, diversity, civil liberties, and equal rights show learners how to exercise their rights and responsibilities as citizens.
The video and accompanying student text can be purchased from INTELECOM at http://www.Intelecom.org/oncommon.html/ or 626 796 7300, or by e mail at email@example.com/. More information on the package can be found on the Public Broadcasting Service (PBS) at http://www.pbs.org/adultlearning/als/.
The Adult Literacy Media Alliance (ALMA) has produced a series of 26 videos for native English speakers that is adaptable for English language learners. The videos are centered on the themes of parenting, health, and personal finance, and each episode includes celebrities, personal stories, and recurring characters as well as segments on word play and math. For example, in "Laverne", actress Liz Torres plays a store clerk who helps a customer calculate how many diapers to buy his triplets for one week. The fast pace and combination of animation and live action keep the interest level high for viewers of this series. (It has been broadcast on both PBS and cable TV.) This also means, though, that the English language learner must have excellent listening skills and advanced level vocabulary. The student texts that accompany the videos are in magazine format.
More information is available at http://www.edc.org/ALMA/ or by e- mail from firstname.lastname@example.org/."
"Connect with English
This video series uses a soap opera approach to language learning, as it follows a year or so in the life of a young woman from Boston who leaves her home to pursue her dream of a musical career in San Francisco. "Connect with English" consists of 25 videos, each containing D two 15-minute episodes and a segment where English language learners express their views on the characters' actions and on the cultural concepts explored in the videos. The series includes study guides for classroom work, home-viewing guides if the series is used for distance learning (without the support of a class), and reading texts. It was produced and is telecast by WGBH-Boston. Unlike "Crossroads Caf", most of the characters in "Connect with English" are young, native speakers. The staging and filming of this series give it authenticity; it almost appears to be a broadcast TV drama. Because of this, and because the level of English needed to comprehend this video is higher than for "Crossroads Caf", "Connect with English" is appropriate for secondary school students and students in intensive English language programs, as well as for adult learners.
More information is available at http://www.pbs.org/als/guide/.
"Other Instructional Videos"
A video series for self study is "Ingls sin Barreras" (Lexicon, 1998), which contains student manuals, student texts, transcripts, and audiotapes to be used with the 15-minute lessons on the video. In this series, instructors present actual lessons to a studio class. The language and structures are chosen to reach adult (Spanish-speaking) learners at beginning English levels.
"A Day in the Life of the Gonzalez Family" is an instructional video with student text and teacher's guide (Delta Systems Co., Inc., 1998) that must be used in the classroom. The video is a spark for adult English language learners to develop communication skills while acquiring cultural content knowledge relevant to their daily lives. The majority of the content and language is in the accompanying print materials. The textbook consists of 10 thematic units that lead learners from guided language practice through project-based activities. These activities support development in vocabulary, grammar, literacy, and problem solving.
New Americans" (Random House, 1999) is a three-video series designed
for use in the classroom as well as for self study. It includes
videotapes, audiotapes, and student workbooks for beginning and
intermediate level adult learners. Each video contains seven short
lessons on such topics as enrolling children in school or applying
for a job. The video's four recurring characters are a Chinese
woman, a Russian man, and a Mexican husband and wife. An unusual
feature of this series are the unscripted clips of native and
nonnative English speakers responding to questions on the lessons'
topics from their own experiences. Transcripts of the video are
Arcario, P. (1992). Criteria for selecting video materials. In S. Stempleski & P. Arcario (Eds.), "Video in second language teaching: Using, selecting, and producing video for the classroom" (pp. 109-122). Alexandria, VA: Teachers of English to Speakers of Other Languages, Inc. (ERIC Document Reproduction Services No. ED 388 082)
Bello, T. (1999, August/September). New avenues to choosing and using videos. "TESOL Matters, 9"(4), 20.
Davis, R.S. (1999, June/July). Video in the corridors of cyberspace. "TESOL Matters, 9"(3), 14-15. (http://esl-lab.com/tutorials/lesson4.htm)
Delta Systems Co., Inc. (1998). "A day in the life of the Gonz*lez family." McHenry, IL: Author. (http://www.delta-systems.com)
The demand for ESL instruction. (1999). "@Work, 2"(1),1-2. (Available from Winter Springs, FL, Florida Human Resources Development, Inc.)
Fazey, M. (1999). "Guidelines to help instructors help their learners get the most out of video lessons." Unpublished manuscript. (Available from Kentucky Educational Television, Lexingon, KY)
Florez, M.C. (1998). "Current concepts and terms in adult ESL." ERIC Q&A. Washington, DC: National Clearinghouse for ESL Literacy Education. (EDRS No. ED 427 552)
Gaer, S. (1998). "Using software in the adult ESL classroom." ERIC Q&A. Washington, DC: National Clearinghouse for ESL Literacy Education. (EDRS No. ED 418 607)
Gareis, E. (1997). Movies in the language classroom: Dealing with problematic content. "TESOL Journal, 6"(4), 20-23.
Johnston, J. (1999). "Enhancing adult literacy instruction with video." Unpublished manuscript, University of Michigan-Ann Arbor.
Lexicon, Inc. (1998). Ingls sin barreras. Los Angeles: Author. (http://www.inglessinbarreras.com)
Library of Congress. (1995). "Circular 21: Reproductions of copyrighted works by educators and librarians." Washington, DC: Author. (http://www.loc.gov/copyright/circs/index.html#circ/)
Living Language. (1999). "English for new Americans." New York: Random House. (http://www.fodors.com/language/ home.html)
McLean, T. (1997). "Crossroads Caf implementation: Florida evaluation." Tallahassee, FL: Florida State Department of Education. (EDRS No. ED 416 722)
Savage, K.L., & Howard, L. (1992). "Teacher training through videos: ESL techniques." White Plains, NY: Longmans.
Silc, K.F. (1998). "Using the World Wide Web with adult ESL learners." ERIC Digest. Washington, DC: National Clearinghouse for ESL Literacy Education. (EDRS No. ED 427 555)
Stempleski, S. (1992). Teaching communication skills with authentic video. In S. Stempleski & P. Arcario (Eds.), "Video in second language teaching: Using, selecting, and producing video for the classroom" (pp. 7-24). Alexandria, VA: Teachers of English to Speakers of Other Languages, Inc. (EDRS No. ED 388 082)
Taggart, K. (1996, Spring). Preparing ESL workers to work in teams. "The Connector, 4," 2-3. (http://www.cal.org/workplace)
Thomas, P., Brodkey, D., & Passentino, C. (1992). An overview of currently available ESL/EFL materials. In S. Stempleski & P. Arcario (Eds.), "Video in second language teaching: Using, selecting, and producing video for the classroom" (pp.123-142). Alexandria, VA: Teachers of English to Speakers of Other Languages, Inc. (EDRS No. ED 388 082)
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Title: Using Videos with Adult English Language Learners. ERIC Digest.
Document Type: Information Analyses---ERIC Information Analysis Products (IAPs) (071); Information Analyses---ERIC Digests (Selected) in Full Text (073);
Available From: NCLE, 4646 40th Street, N.W., Washington, DC 20016. Tel: 202-362-0700, ext. 200.
Descriptors: Adult Education, Adult Learning, Classroom Techniques, Cultural Awareness, English (Second Language), Instructional Materials, Media Selection, Second Language Instruction, Videotape Recordings
Identifiers: Authentic Materials, ERIC Digests
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